Writing Wisdom
This page includes bits of advice
from my own experience and things others have taught me.
If you would like to offer a bit of writing wisdom for
this page, please
e-mail me.
Ted J. Rulseh
The Right to Bore
Avoid the Deadly Pause
Beware the Idea Salad
Throw Out the Puzzle
What happened tonight?
Freedom of
the press does not include the Right to Bore
This lead
paragraph ran in a respected pollution-control trade
magazine:
“The
Resource Conservation and Recovery Act (RCRA) defines
"hazardous waste" as wastes with certain
characteristics and/or wastes cited on one or more of
the U.S. Environmental Protection (EPA) lists.
According to RCRA, characteristics that make a waste
hazardous are toxicity, reactivity, corrosivity and
ignitability. Lists of RCRA hazardous wastes can be
found in various EPA codes in the Federal Register.
This article describes an approach to developing
cost-effective treatment systems for wastes in general
and particularly for wastes that are hazardous in the
larger, more inclusive sense of the term.”
Assuming you
made it this far, would you keep reading? No law says
trade press writing has to be dull. Remember, readers
won’t let you waste their time. Bore them and they’re
gone.
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Avoid the deadly pause
This advice
comes from Joe Lindner, a former internal communications
manager with S.C. Johnson. Readers are busy people, he
said. If they encounter a sentence with a defect that
makes them pause, they are likely to stop reading and
turn the page. Does this sentence make you pause?
As more sophisticated
instrumentation has emerged with highly sensitive
detection capabilities and research techniques have
become increasingly complex and meticulous, the
requirement for purer water drives the need for strict
adherence to water quality standards.
The fix?
As more sophisticated
instrumentation has emerged with highly sensitive
detection capabilities,
and as
research techniques have become increasingly complex
and meticulous, the requirement for purer water drives
the need for strict adherence to water quality
standards.
It’s still
not a great sentence, but the main “reader pause” is now
gone. Don’t make readers pause. Keep them moving with
proper grammar and punctuation.
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Beware the Idea Salad
Some bad
sentences are bad because they contain two or more ideas
tossed together without clear definition. Consider:
"Driving is the most
dangerous, yet oftentimes underestimated aspect of any
job."
This is
perhaps a gross example of an idea salad, but it makes
the point. There are two ideas here:
♦Driving is
the most dangerous aspect of any job.
♦Business owners often underestimate the danger of
driving.
So why not
say, “Business owners often underestimate the hazards of
driving, which is the most dangerous aspect of any job.”
Moral: If you’re struggling with a sentence, try pulling
the ideas apart, then rewriting. Sometimes the way to
fix an idea salad sentence is to make it two sentences.
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Throw Out the
Puzzle
From
Dan Heim, Heimhenge Enterprises, New River, AZ
The director
of a charter school asked me to review introductory
comments on the home page of their website – the first
thing visitors read and important for making a good
impression. One sentence bothered me:
Students
aged 11-18 can be seen on the campus grounds talking
as friends, regardless of age or height.
I didn't
like the "aged 11-18." Fine cigars are "aged." Elderly
people are "aged" (two syllables). I could have
substituted "age" or "ages," but neither seemed to fit.
So I rewrote the sentence as:
Students
from grades 6 to 12 can be seen on the campus grounds
talking as friends, regardless of age or height.
This had the
advantage of emphasizing the school's 6-12 grade
structure. It also removed a redundancy, as “age” also
appears near the end of the sentence. The lesson:
Sometimes when a particular word or phrase hangs you up,
the best thing to do is throw it out and try a whole new
idea.
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What Happened Tonight?
From Jan
Gottfredsen, Lockheed Martin Corp.
Struggling
with how to start a story? Tell someone what the main
point is -- that's your lead.
As a cub
reporter, I returned to the newsroom on deadline from a
very lively city council meeting. There were at least
six items that night that could have been the story's
lead. I was struggling trying to decide which was the
most important one, staring at the computer screen,
fingers frozen to the keyboard.
The editor
was waiting for the copy, becoming more impatient as
each second ticked away. Less than five minutes before
deadline, he pulled me into his office and shut the
door. Staring at me, he said "What happened tonight?"
I opened my
mouth to tell him, got two words out, and he snapped:
"That's your lead. Go write your story."
It has worked
every time since then. Whenever I "freeze" and cannot
decide where to start, I say: "What happened tonight?"
and I go on from there. It's like pulling the cord on
the lawnmower. It gets the engine running, and the rest
is just finishing the job.
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